The poem “The Door” demonstrates to us that change in self involves taking chances and the positive consequences of change. Holub expresses change as an individual’s commitment to embrace new opportunities presented to them, leading to a new perspective of life. The door, being the central metaphor of the poem, represents a barrier, which holds us back from instigating a change. It is a gateway to new opportunities if the individual decides to take the initiative. The poet uses repetition of the phrase “go and open the door” as the opening line of each stanza to create a emphatic tone that implores the reader to take a chance, to leave their comfort zone and take on the outside world.
The italic word “maybe” shows the uncertainty and unpredictability of the consequences after the person had gone and opened the door. “A tree, or a wood, a garden, or a magic city”, these images open our minds to change and start to make us think to ourselves about what is really out there in this “magic city” of ours. This subtle use of cumulation also demonstrates the varying levels of reward of change, from a lone “tree” to a benign “wood”, from a beautiful “garden” to something grand like a “magic city”. This process continues even to the unpleasant sight of “a dog’s rummaging” in search and curiosity through the fixed gaze of “an eye” to “the picture, of a picture” where one learns more about themselves and gains a new perception, which in essence results in a change in self.
Up until this section of the poem, Holub expresses only the positive aspects of change. In the following stanzas, the poet employs a great deal of symbolism to suggest that there may be initial difficulties that one may encounter. The fog symbolises a problem or uncertainty that a person may have when they open the door, but the poem reassures the reader that “it will clear”. Threatening images of “the darkness ticking” or a “hollow wind” emphasises that what they find may not always be pleasant, but the soothing tone of the stanza calms the reader’s fears and doubts. Once again, the poet uses cumulation: “even if…even if…even if…” bringing the poem into a climax, reaching the apex by the abrupt use of enjambment with the word “nothing” singled out. The poet encourages the reader to “go and open the door”, to take a chance, even if there is no reward and just emptiness beyond it. The poem finishes with a definite, yet almost humourous ending phrase: “at least there’ll be a draught”. The phrase concludes the poet’s optimistic view on change and suggests that even if there is nothing outside the door, something will eventually come up even if it’s just a cool breeze.
This text points out that although we cannot predict what will come about upon the instigation of a change, benefit is found in the process of seeking it. Holub is saying that the essence of change is found with in the individual and only through one’s actions can change be triggered.
How Is the Need for Embracing Change Conveyed In “The Door” The concept of “The Door” Is based on the Idea of taking risks and embracing change. The poet uses a persuasive and insistent tone to encourage the audience to take action. The lack of rhythm, rhyme and conventional structure also give the poem a conversational tone. The poem opens with the line “Go and open the door” and Is used to begin the following three stanzas. The repetition of the imperative constructs a strong sense of not only urgency and necessity, but it also gives the audience a sense of the poet’s ice and presence as he urges change.
A strong sense of speech is present in the second stanza when the poet directly addresses the audience (“you’ll); this gets the audience’s attention. The poet uses the central concept of the door, which Is used as a dual metaphor that can be viewed as a symbol of a barrier, a symbol of what restricts us. It can also be seen as a gateway to opportunity and change. This image gives cohesion to the entire poem because the image is sustained strongly throughout. The poet uses imagery throughout the poem, evoking strong images in each stanza, ND language that appeals to the senses.
The first stanza uses an image of a “tree, or a wood”. This natural image conjures a sense of freedom. It then moves to “a garden, or a magic city”, evoking images of human tampering with nature, and the idea of large possibility. The Idea of possibility Is conveyed by the use of the word “Maybe” in both stanza one, and twice In the second stanza. The Ideas present In the second stanza build up the same way as In the first stanza: there Is a repetition of structure and style.
It egging with brining the poem back to reality, and ending with “the picture of a picture”, conjuring the idea of an endless possibility. The third stanza differs from the first two. It is here that the possibility of risk is introduced with the metaphorical fog. However, we are assured that this fog will clear. The fourth stanza becomes more insistent with the use of the phrase “Even If”. The imagery In this stanza Is more striking, Introducing the Idea that even If there Is only “darkness ticking” or a “hollow wind” go and open the door.
Time Is still passing. The poem has a quizzical ending, and there is a shift in voice as it changes to a softer to an end with “At least there’ll be a draught”. Which actually emphasis the point even more strongly, take a risk, at least there will be something different, a change, which is what you are looking for. The poem presents an optimistic tone, insistent that change is a positive force to be embraced. Through evocative language and strong imagery, the reader is assured that they should take action, overcome the barrier, and take the risk.
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